Varying the rate of decrease of the number of beads within each round can create a
flat or a domed element. By playing with the bead colors, you can
subdivide circles into sections to emphasize their own form and/or draw attention to
elements of the overall form. Also,
depending on how many points of contact you make between elements, the final
shape can be flat, cupped, or encompass a full sphere or other enclosed
form.
Here are some examples:
I like the rhythm of sewing concentric circles or ovals of
beads. Simple connected circles with a concentric pattern make a
dramatic collar necklace.
By emphasizing lines between connections, the effect is one
of pie slices and the eye doesn’t see the distinct circles as much. Regularly interconnected, same-sized domed circles form this
pin – connecting the circles at six even points makes the form stay flat.
If the circles are all connected at five evenly spaced
points, instead of six, the form curves in on itself and you can build a sphere
– in this case twelve even circles form a dodecahedron that can be worn as a pendant if you put the neckwire through the central holes.
If you start to build the framework of a regular
dodecahedral sphere, but then vary the rates of decrease or leave some circles
as tubes instead of closed domes, you can get some elegant variations on the
theme. This beaded bead started with the same 12 circles as the sphere above, but turned into a flatter, ruffled, trifolate shape.
Finally, often, I just want to make a freeform piece and see
where the distorted circular forms end up as they squeeze past each other, as in this pin.
I keep adding to these pins until I am happy
with the composition. Sometimes they
turn into necklaces.
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